EW50 Structuring The Silence (2016-2018)

Choose all different sounds with fixed characteristics (amplitude, tempo, overtone structure, duration, etc.) and nine elements: gestures, intention, words and other suggestion(s) etc.

Durations and dynamics are free. The sounds to be made are long and short or very short. When performed as a Solo, for One Player, choose cymbals and/or drums.

STRUCTURING THE SILENCE (2016) EWC50a

Solo and two performers/or percussion solo and duet

dedicated to Fritz Hauser

 

 

 

 

 

No d'opera/de l'oeuvre/der musikalischen Arbeit/of Work SUISA

Part One/Part Two/PartThree

566702631

566702925

566703138

 

STRUCTURING THE SILENCE (Bionzo version) (2017) EWC50b

Solo and two performers/or percussion duet

 

 

STRUCTURING THE SILENCE La versione di Basilea | The Basel version (2018) EWC50c

Solo and Two Performers

 

per uno o/e due percussionisti con vibrafono

for one or/and two percussionist(s) with vibraphone

 

for Fritz Hauser to DIFFERENT BEAT 2018 in Basel (Switzerland)

 

 

STRUCTURING THE SILENCE | ERRATUM VERSION (2018) EWC50d

InsideOutside

from PianoChiaro

For two percussionist(s)

 

for Fritz Hauser to Erratum, March 5, Milan

 

 

Each part has eight time-brackets -with ic program by Andrew Culver (similar to John Cage procedure: change operations) -eleven which are flexible with respect to beginning and ending, and one, the eight, which is fixed.

 

1-9 sound(s) or instrument(s) for two no-pitched percussionist(s).

 

The sounds must be included with the time-bracket.

The dynamic is free: do not play loudly.

Variety as possible in timbre, articulation, rhythm etc.

No allusions to other musical compositions.

 

The tape is the pre-text for active listening. In this version: PianoChiaro by Fritz Hauser.

 

Listening very carefully in relation to Inside [I] and Outside [O] of tape PianoChiaro or another piece (in this case the title must be changed).

 

Inside: the execution must be in relation to the tape (also as partial imitation).

Outside: the execution must not be in relation to the tape (as partial contrast).

 

ECatalogueFritzHauser.pdf
Documento Adobe Acrobat 3.5 MB

 

STRUCTURING THE SILENCE | HABITAT (2018) EWC50e

inPostPercussionMusic

PARADE Version

in Two Parts

 

Percussion Soundscape(s)

for OneTwo

with computer tape

 

Percussion Soundscape(s) | “di un paesaggio sonoro” e di paesaggi

 

per uno o/ e due percussionisti con vibrafono, marimba e grancassa

for one or/and two percussion(s) with vibraphone, marimba and bass drum

con/with computer tape

 

for Fritz Hauser to PARADE ELECTRONIQUE 2018 in Milano (Italy)

 

 

OneTwo Procedure

 

Le forchette di tempo sono uniche per i due interpreti/improvvisatori. Ogni forchetta di tempo deve sempre essere intesa come duo. I tempi tra le forchette sono intesi come solo.

Questi tempi/spazi in solo non devono essere concordati prima ma raggiunti durante l’improvvisazione attraverso l’ascolto e l’immersione nel paesaggio sonoro nella durata complessiva di 22:27 e 18:46. Ci deve essere una pausa di almeno 5 secondi tra la prima e la seconda parte. Nella prima parte le forchette di tempo tra parentesi sono a scelta, sempre come duo.

 

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The time bracket(s) are unique to the two interpreters / improvisers. Every fork of time must always be understood as a duo. The times between the bracket(s) are understood as only. These times / spaces in solo do not have to be agreed before but reached during the improvisation through the listening and the immersion in the sound landscape in the total duration of 22:27 and 18:46. There must be a pause of at least 5 seconds between the first and second part. In the first part the time brackets in (5:16 to 7:27) / (6:02 to 9:01) are chosen, always as a duo.