STRUCTURING THE SILENCE (2016) EWC50a
Solo and two performers/or percussion solo and duet
dedicated to Fritz Hauser
No d'opera/de l'oeuvre/der musikalischen Arbeit/of Work SUISA
Part One/Part Two/PartThree
Choose all different sounds with fixed characteristics (amplitude, tempo, overtone structure, duration, etc.) and nine elements: gestures, intention, words and other suggestion(s) etc.
Durations and dynamics are free. The sounds to be made are long and short or very short. When performed as a Solo, for One Player, choose cymbals and/or drums.
STRUCTURING THE SILENCE (Bionzo version) (2017) EWC50b
Solo and two performers/or percussion duet
STRUCTURING THE SILENCE La versione di Basilea | The Basel version (2018) EWC50c
Solo and Two Performers
per uno o/e due percussionisti con vibrafono
for one or/and two percussionist(s) with vibraphone
for Fritz Hauser to DIFFERENT BEAT 2018 in Basel (Switzerland)
STRUCTURING THE SILENCE | ERRATUM VERSION (2018) EWC50d
For two percussionist(s)
for Fritz Hauser to Erratum, March 5, Milan
Each part has eight time-brackets -with ic program by Andrew Culver (similar to John Cage procedure: change operations) -eleven which are flexible with respect to beginning and ending, and one, the eight, which is fixed.
1-9 sound(s) or instrument(s) for two no-pitched percussionist(s).
The sounds must be included with the time-bracket.
The dynamic is free: do not play loudly.
Variety as possible in timbre, articulation, rhythm etc.
No allusions to other musical compositions.
The tape is the pre-text for active listening. In this version: PianoChiaro by Fritz Hauser.
Listening very carefully in relation to Inside [I] and Outside [O] of tape PianoChiaro or another piece (in this case the title must be changed).
Inside: the execution must be in relation to the tape (also as partial imitation).
Outside: the execution must not be in relation to the tape (as partial contrast).