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In Sergio Armaroli's artistic practice, this complexity becomes a living experience. Sound, gesture, silence, poetry, visual forms, and improvisation enter into a circular relationship where each element transforms and is transformed by the others. The self is not a closed entity but an open process, a field of relations.

The circle becomes a wheel, the path becomes a spiral: each return is also a departure, each repetition a transformation. To be one is to carry within oneself a multiplicity of voices, memories, encounters, and possibilities.

Unus Ego et Multi in Me is an invitation to inhabit complexity, to recognize unity within multiplicity and multiplicity within unity.

"The circle is our wheel. The spiral is our path." — inspired by Edgar Morin

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A-Method

A-Method is not a method in the conventional sense, but an exploration of complexity, relation, and emergence. Inspired by Edgar Morin's philosophy of complex thought, it rejects linear and reductionist approaches in favor of a dynamic interplay between order and disorder, subject and object, unity and multiplicity.

In Sergio Armaroli's artistic practice, A-Method unfolds through sound, visual forms, poetry, gesture, improvisation, and reflection. Each element exists in a circular relationship with the others, generating an open field of connections rather than a fixed system of meanings.

The "A" stands for an unfinished beginning: art, anarchic thought, attention, ambiguity, and becoming. Like Morin's spiral, A-Method moves forward through returns, transformations, and continuous reconfigurations.

It is not a path toward certainty, but a practice of inhabiting complexity.

A-Method: from the circle of relations to the spiral of becoming.

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To be an Erratum Artist is to transform uncertainty into knowledge, fragility into research, and incompleteness into creative freedom.

— Sergio Armaroli

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